
Decided to get back to Flyosophy’s roots: finding tenuous reasons to post pics of beautiful women with musical talent. Playing the piano is probably the third hottest thing a woman can do fully dressed…I’ll leave it up to your imagination to discover the second. Naturally, the first is making a Bacon Cheeseburger Meatloaf.
Back to your regularly scheduled article…
The effectiveness of the Muscle Memory Methodology of teaching depends entirely on one variable.
How much you practice.
Now a lot of what I detail here will sound like crap, but honestly doesn’t everything I write. There will be a number of drills and practice exercises involving what may seem like New Age BS. Pantomiming, casting without a rod, and a number of warm up exercises, none of it seems to make sense. I thought so myself as I was learning. Seems to reason that if one wants to learn how to cast or cast more efficiently then they ought to – I don’t know – cast a rod, maybe.
The method, however, is based on building what is known as “muscle memory.” Like most things it is kind of a misnomer, since it’s really a brain thing. Many of the things we do that require fine motor control was learned by muscle memory rather than actively controlling the muscles. Things like brushing your teeth, walking, and probably the most interesting: speech. Consider all the muscle contractions that your tongue must make to form sounds for speech…you do not ACTIVELY control any of it. Ever wonder why people who learn a foreign language speak it with an accent? The leading theory is because of muscle memory.
One quick story, I once dated a girl who was a concert pianist. She could play Beethoven, Mozart, the Undertaker’s entrance theme, you name it. However, every day for hours she would play scales…essentially to exercise her fingers. She would also practice individual pieces of music but only after the basic stuff. Practicing a piece of music helped her play that piece; the scales trained her for everything. She never had to think about which finger for which key, just the music. She was good…she practiced a LOT – eventually got annoying had to dump her, she also got pissed by the way I related classical music to Loony Tunes Cartoons. So I dated her friend from MIT – glasses + lab coat = sexy, but I digress. Ok the second hottest thing a woman can do fully clothed is: Science, especially if it involves explosions.
If only there was some ancient maxim I could reference to get the point that practice is important across.
“Practice is everything. This is often misquoted as practice makes perfect.”
Periander
Periander was the “Tyrant” of Corinth in the 7th century BC – granted details are sketchy…he may have killed and then raped his wife’s body (or as Herodotus says “Periander baked his bread in a cold oven” – tell you what my wife’s oven was so cold I got frostbite on my junk – ZING) he might have had the sons of his political rivals castrated, but he abolished taxes for his constituency so that make him my kind of tyrant. (This is the Flyosopher and I approve this message.) I agree with his observation too: practice is everything especially when dealing with muscle memory. Once you have this down, you still have to practice – albeit for a much shorter time each day. Now is there some risk in making fly fishing less fun? Depends – there are guys who play Nerf football, guys who trained hard and played in college, and finally guys who trained to an insane level and play in the NFL. Who has the most fun? It’s just a matter of getting what you want.
Unlike football, everyone can get to a point where they can cast an entire fly line with ease every time they want to. Age, strength, arm length, DNA, doesn’t matter. Practice enough and you will succeed. Also for the D’bags in the readership (every time there is a casting demo this question comes up…if I ruled the Earth it would be followed by a vicious beating):
“Mr. Flyosopher I heard that you never need to cast more than 30 feet.”
Nameless Feeb
“Well, student of mine that may be true. It is also true that casting a full fly line is more about efficiency than distance. If you learn to cast 90’ or 100’ you can make your 30’ cast with a far greater economy of effort, you can do it when it’s windy, and you can do it with a heavy fly or a long leader. See having ability doesn’t mean you use it all the time…like I am charming and dashing a real ladies man. Sometimes I have to dress fine, go places with tablecloths and violin guys, quote Shakespeare all that crap, but for a skank like your sister I just don my “Who Farted?” hat and go to a McPuke’s drive-thru and the slut is on my disco stick for a cheeseburger. Understand now?”
The Flyosopher
Get yourself geared for class
Rod – the heavier the better – the reason is simple the heavier the rod the easier it is to feel the rod load against the resistance of the line and the more force you can generate with a double haul, drift and all the other crap we’ll be learning. Light rods perform exactly the same way so the skills carry over, but for now we want to make things as easy to learn as possible.
Line – WF Floating to match the rod. Over-lining is a popular technique and it has its uses. Using a greater mass allows the rod to load more easily; it also allows one to cast heavier flies. There is a price however a more massive line requires more force to cast – this can rob distance. It also can easily become a crutch so we want to avoid it for now. After you graduate you can do whatever the hell you want, and more importantly you’ll know why you want to do what you want. For now I want the load to be created by you, and what you are doing, not by a more massive line.
Reel – I don’t give a crap. Only point of advice I’ll give is that a heavier reel helps keep the tip up. People talk about balance and “light in the hand” whatever. A reel that is too light is like a sword without a pommel.
Leader – This doesn’t really matter for now, in the real world the leader may be the single most important decision a fly fisherman makes. For now just get something on there that is tapered, and tie a piece of yarn to the end. I don’t want to hear that whip cracking sound – it reminds The Flyosopher of a period of his life of which he is not particularly proud.
This is an important part of the entire course. Check the line to see where it transitions form the fat part to the skinny part. This should be tapered, but this taper will vary from company to company. What I want you to do is find the very end of the taper where it becomes a constant skinny running line. Now play out line till this point is at the first guide. Basically what we want is to have all the Fat line or “head” outside the tip, and the taper running down the guide. You want to mark your line where your line hand would grip it to achieve this balance. I have gotten in the habit of using a piece of braided mono slipped over the line and held in place with two tiny nail knots which I coat with Pliobond. I like it because I generally fish at night and when I feel this braid I know I am ready to stop stripping and start casting. For daytime practice a marker works just as well.
Feel like a dweeb? If you ever go to a casting tournament try and sneak a peek at the competitor’s lines, more than most of them will be marked. Someday when a line company begs me to endorse their product I’ll have them make a distance casting line with such a mark, I’ll also have them make a beginner’s line with the same mark and taper – the distance line will sell for 40-60% more, the shirtless picture of me that comes inside the box is more than worth the added price..
The end result is this if you have the line out and the mark in your hand you have the perfect amount of line beyond the tip to load the rod, not just for a 30 ‘, or 50’, or even 60’ cast but to cast that whole line. Now some very good casters can use the running line to add power to their casts, heck some guys can use the whole line to power the cast and shoot backing – I’m not those guys.
Now this amount of line (generally 30’) – is dependent upon the line brand and style you are using, for some it may only be 26′ others closer to 40’. I would call it the “head” but I don’t want to confuse it with a shooting head so I refer to it by the “Mark,” sounds better than the first – it’s only important that you know what we are referring to – the line outside the tip when you have the mark you made in your hand..
Finally, eventually we will be shooting line – just not right now. If you are a pretty good caster you may be already in the habit of double hauling…that’s fine. But to get the most out of these exercises its best if you don’t haul – now personally I don’t think I could do that my left hand just automatically makes a hauling motion due to years of muscle memory. If you must haul do these two things 1. Don’t allow line to slip through your fingers 2. Don’t allow slack into your cast – very often after a haul the caster “pushes” line back into the cast by bringing his hands together (this is especially true of guy who make those heroic cross body hauls) all this does is kill your cast. Now for these first few 40′ casts you can get away with it, but when we start casting 90′ you need you stroke to be as efficient as possible, and slack is your worst enemy.
Slack is your worst enemy. Give up the grudge you have against the captain of your High School football team who stole your girlfriend, gave her an STD, and then gave her back. You can kill him later. For now, you have to concentrate on eliminating slack.
Fly casting is not rocket science; it’s barely even brain surgery. Simple as it is you do need to learn it.
Drill – Backcast Practice – If possible video tape yourself
Setup – lay the line straight on the lawn before you. Hold the rod in a comfortable position to cast with your hand on the Mark – the tip of your rod should be touching the ground and there should be NO slack in the line. If you raise the rod tip and create slack – simply lower the tip and take a step back to remove the slack – you are ready.
Exercise – Make a single smooth casting stroke and stop the rod. What we are looking to do is make a backcast that causes the line to land straight behind you completely unrolled with enough force that you feel a slight tug or kick (enjoy this feeling because you may never feel it again.) After the cast the line simply falls to Earth. You turn around, take a step back to remove slack if you must and repeat. What you are trying to develop is a sense of “feel.” The feel you develop via this exercise is 98.2% of EVERYTHING you need to cast 100+’ of distance.
I find the very best way to do this exercise is with your eyes closed, and done as slowly as possible. It’s better to go too slow and fail to straighten the backcast, than to go too fast and not feel the load.
You may also note that there is no mention of lifting the line off the water – that’s because we are casting on grass for this. Later we will cast on water, our effective stroke will be shorter but we’ll have the surface tension to help load the rod. If you think that you can make this backcast without requiring the full distance of the stroke from ground – then good job missing the point. Making the cast is the smallest part of mastering it.
So what does this feeling feel like? When you hold the rod at the ready you feel only the weight of the rod itself, as you accelerate you should feel the rod band and the rod – line system become heavier. The line is resisting the movement; you need to constantly increase this resistance by moving the rod faster and faster. When you stop the rod, all heaviness should disappear – the load was completely unloaded and the line is moving on its own.
Why is this so important? Because when we cast further we will need to make a much longer stroke which means not only drifting, but also maintaining a controlled acceleration over a longer period. This feeling will help you learn to do that, and to correct mistakes when they come up.
You are also developing muscle memory which will help to make this cast automatic. This is the equivalent of a golfer practicing his swing, or a pianist playing the scales. As a fly caster the basic backcast is your bread and butter, learn this and casting becomes a breeze, fail to learn this and you will never experience true casting freedom. Honestly, with the bazillion things to think about during a fishing trip casting should have no place in your mind.
If possible do this exercise for 10 minutes every other day – just so you know this is the longest and hardest part of the whole deal, and the bad news is the more experienced you are its likely the longer it will take you to develop this feel. Why? Ironically, because of muscle memory…use your off-arm the learning will be faster.
Also don’t be surprised if you make a cast and think you felt it then make 10 more and don’t – learning this is similar to learning how to bike ride – takes a while to get it but once you do you’ll have a hard time even remembering what it was not to feel a loaded rod.
Also do not over-look the value of making a casting motion with your arm without holding a rod. Pantomiming the casting stroke will help to build muscle memory, however, I think it is best to develop the feel first. I know you will look like a moron standing on the grass making half a cast over and over and over again. Roberts in his DVD recommends doing this for MONTHS before making a forward cast. I think it can be learned sooner but you need to continuously re-visit this…to this day I practice my cast and this is what I do for warm ups – it sounds like a lot but honestly 10 minutes is less time than it takes to find the materials to tie a fly.
Have fun, next up a few more drills and the positive stop.












