
“Mirror Mirror on the wall who is fairest of them all?”
“I’ve been ogling women forever and a day,
Even Helen of Troy pales to Aishwarya Rai!”
I figure the Positive Stop is the hardest part of the cast so why not start off with a picture of the most beautiful woman ever to live – all our Mom’s exempted of course.
There is a downside to growing up a fly fisherman, probably more than one but I’ve never considered my lack of social grace to be that big of a concern. My earliest memories are of fishing, and I can vividly recall the day in first grade when I broke my spin rod riding a bike to a local pond. My father wasn’t mad, but just asked me directly if I wanted to be a fisherman or a fly fisherman. I proudly answered a fly fisherman and was rewarded with a fly rod of my very own.
Eight years later, as a freshman in High School, the baseball coach would beg me to be on his team, only to learn the awful truth – I throw like a girl. Now, this may seem strange but before that day I had never truly thrown a baseball, unless it was for a dog – had never played catch or pickle and didn’t know that a baseball glove is meant for the off-hand. As I have mentioned before my High School was very small and in order to have a freshman baseball team nearly every guy in the school had to play. I was literally the 10th player…I even have a trophy; it wasn’t till years later I realized that it wasn’t just a joke.
In addition to not being able to throw, I couldn’t bat to save my life. Ironically, this profound lack of skill lead me to be one of the highest point scoring member of our team. I came to the early conclusion that if the pitcher threw three strikes I was out, if he threw four balls I could go to first base, and if I got hit by a pitch I could go to first base. Well the average pitcher on a loser division freshman team isn’t exactly Rodger Clemons…so my policy of never ducking and never swinging proved to be a mathematically fortuitous one – albeit at times painful.

The lack of batting ability was pathetic, but throwing like a girl was far more embarrassing. Actually, I really shouldn’t even use that phraseology since any girl on the softball team could throw a ball faster and more accurately than I. I would reach back and bring my arm forward as fast as I could, only to stop on a dime, release the ball, and watch it sail a few yards away and fall into the dirt. It was that bad. I ended up playing first base (catching I learned pretty quickly) and it was all I could do to get the ball back to the pitcher after an out.
One last point – I would never pretend to understand baseball, way too many rules. I’d have to say the thing I hated most about it is that it’s impossible to win as a team; you can only lose as one. Football I understand and enjoy. Some of the very best plays ever made were ones where one player was double-teamed – essentially removed from the play – which allowed a team-mate to make the highlight reel play of the game. Commentators and fans may not always get that, but the players understand. If the Quarterback completes a pass, it’s because his team allowed him to, including the coaches who called the right play at the right time. You play as a team, win as a team, lose as a team. Baseball, however, is primarily a collection of distinct individual efforts. I some ways it’s more like fishing.
Now why did I throw so pathetically? For years and years, fly casting had trained my arm for the positive stop.
What is a positive stop?
Like most terms used to describe fly casting, this one is not perfect. The reason I use it rather than Pop/Stop, Speed Stop, or another of the many terms other guys have used over the years is because it refers to both the energy and acceleration of the cast.
Acceleration is not speed…it really refers to change. To keep things simple, during the casting motion you are either creating or losing energy. You create energy by increasing the speed of the casting stroke, and not surprisingly you lose energy by slowing down. Stopping, releases the energy of the cast into the line. So, as your rod moves through a cast it should speed up, getting faster and faster until you stop abruptly and release all the energy into the cast.
The key to doing this is twofold. First you need to constantly speed up the cast…so you have to make a controlled motion. If you flail your arm as fast as you can, then you aren’t speeding up, you are merely moving your arm as fast as you can (or worse slowing a bit and losing energy.) A good cast is a smooth acceleration, constantly adding energy.
The second aspect is the stop itself. Simply put the rod comes to a complete and instantaneous halt. In this moment the bent rod releases its stored energy into the line and the cast sails off. The best simile is to say the release of energy is like using a bow and arrow. If the string is drawn back and released the energy is maximized, if the string is drawn back…then slowly brought forward, then released the power is significantly reduced.
The positive stop is sometimes difficult for a person to learn…especially an athletic person, since most sports – like baseball – encourage the participant to “follow through.” Though no aspect of fly casting is truly physical, it is my opinion that the positive stop is the most challenging to learn. The other challenges inherent in fly casting tend to be ones of timing. Also the positive stop is the component that most benefits from muscle memory training…so if this is difficult for you, practice can fix it.
First step however is to feel it.
There are a few ways to cheat to achieve a near perfect positive stop.
You can hold the fly rod in reverse…turn the grip so the fly reel is braced against your lower wrist.
You can strip some line off the reel and use it to tie the butt of the rod to your wrist.
You can use the device the Wulff Wrist-lock.
All three of these achieve the same end. I suggest you use one of them just a time or two for not other reason than to demonstrate to yourself how much power is in a fly cast – and how much you can do with it when you learn how to release it.
All you need to do is make a forward cast. To practice this I suggest you lay out the line straight on the ground as you did to practice the backcast, with the only difference being that this time the line is behind you and your rod tip is raised to a position where you would have finished a theoretical backcast. Keep in mind this drill is to work on the positive stop nothing else. Make sure there is no slack between the rod tip and where the line reaches the ground.
Now just make a forward cast, use a smooth acceleration, and when you get to the point for the positive stop the mechanics of the reel position, Wrist-Lock, or having the rod tied to you will force you to stop. You should feel the line spring from the rod tip with incredible force. This will NOT be pretty, and obviously this is not how you will cast on the water, but pay attention to what happens and be honest can you generate this level of force with your current positive stop.
Now for the really really good news – this practice set up of casting off the grass is a horrible method of loading a rod…so the force that you just experienced – possibly the most you have witnessed in a fly rod is basically nothing…a true cast has much more.
When you are comfortable with your understanding of how much power you can generate it will be time to unfetter yourself. Untie the rod, remove the Wrist-lock, and hold the rod with a normal grip. Make the same cast and see how well you can stop the rod. Without the crutch it is up to you, but you also have more control and eventually greater accuracy.
Here are a few things that will help.
A visual aid can work wonders. The two I recommend are fashioned from pool noodles. The first is George Robert’s rod stopper. It is nothing more than two dowels set up like a T – the pool noodle being on the crossbar. You place it in the ground in front of you and stop your cast before the rod hits it. The brightly colored pool noodle gives you a visual reference, but the physical aspect of the positive stop is all on you. The second one is simply a pool noodle on a rope strung before you like a clothesline. They both work the same way use the better one for your practice environment.
I also recommend that you read as much as you can from various sources about this phase of the cast – but be aware that the term “positive stop” most likely won’t be used. People learn in various ways and what I describe may not make sense to you. It’s just the nature of life. To me the easiest way to affect the stop is to grip the rod hard. Most teachers would never advise this, but I think by closing one’s grip the muscles in the forearm contract and essentially stop the rod. Also don’t worry about stopping the rod too abruptly and having the line crash into the tip…in fact I want you to do the opposite of worry about it and try to make that exact thing happen…odds are you wont be able to, but by trying you’ll learn to throw and incredibly tight loop.
Have Fun.












